Black Light: Myth and Meaning in Modern Painting
Painters have always drawn on the classics to find myths and symbols which will answer to contemporary problems. In
Black Light,
Francis Gooding examines four modern
paintings in the light of ancient
themes, and illuminates the permanence and power of the mythic imagination.
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Opening a new dialogue between modern and ancient, Black Light explores living myth in modern paintings
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Examines four paintings from the Modern tradition in the light of episodes from antique
mythology
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As the myths illuminate the paintings, and paintings throw light
on the myths, Gooding shows that themes from ancient sources can be
seen to resonate in modern representations
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Traces unexpected thematic correspondences across two millennia of
literature and art, and finds that wherever meaning is sought through
interpretation, myth becomes an indispensable tool of analysis
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In the work of
classical authors such as Sophocles and Ovid,
Gooding finds mythic elements which are also present in paintings by Manet, Matisse, Richards and
Warhol